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Picture
Norman Blamey RA (1914-2000)

Study for Deanery Mass, St Pancras
1959

Pencil 27 x 20 cm (10⅝ x 7
⅞ inches)
PROVENANCE
The Fine Art Society; Private Collection.

EXHIBITED
Norman Blamey, Norwich Gallery, September–October 1992; Victoria Art Gallery, Bath, January–February 1993; The Fine Art Society, London, March 1993.

A Royal Academician renowned for the exceptional precision of his draughtsmanship, Norman Blamey was among the most distinguished figurative painters working in Britain during the second half of the twentieth century.

Deeply committed to the Catholic faith, he frequently turned to religious subjects, bringing to them a rare combination of spiritual intensity and technical accomplishment.This drawing is a preparatory study for Deanery Mass, St Pancras (1959), widely regarded as one of Blamey's most important religious paintings and now in the collection of the Beaverbrook Art Gallery. Executed with remarkable precision and economy, the sheet reveals the extraordinary refinement of Blamey's draughtsmanship.The priest’s hand and vestments are constructed through a network of finely judged lines which convey both physical presence and psychological intensity. Every mark appears carefully considered, yet the drawing retains a striking immediacy and vitality.

​More than a preparatory exercise, the study possesses an independent expressive power. Blamey's meticulous handling of pencil reflects the disciplined observational practice associated with Renaissance drawing, while the concentrated scrutiny reflects the seriousness of purpose that distinguishes his most powerful religious works. As such, it provides a fascinating insight into the creation of one of the defining images of his career.

Picture
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